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Zelte = Tents (IL16, 1976)

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Bibliografische Daten

fullscreen: Zelte = Tents (IL16, 1976)

Zeitschrift

Persistenter Identifier:
1562653543533
Titel:
Festschriften der Polytechnischen Schule und der Technischen Hochschule Stuttgart
Strukturtyp:
Zeitschrift
Sammlung:
Zentrale Quellen zur Universitätsgeschichte
Lizenz:
https://creativecommons.org/licenses/by-sa/4.0/

Band

Persistenter Identifier:
1562653543533_J1939
Titel:
Technische Hochschule Stuttgart. Technisch-wissenschaftliche Prüf- und Beratungsstellen
Jahrgang/Band:
1939
Erscheinungsjahr:
1939
Sprache:
und
Strukturtyp:
Band
Standort:
Universitätsarchiv Stuttgart
Signatur:
verschiedene Signaturen
Lizenz:
https://creativecommons.org/licenses/by-sa/4.0/
Sammlung:
Zentrale Quellen zur Universitätsgeschichte

Kapitel

Titel:
A) Institute
Strukturtyp:
Kapitel

Kapitel

Titel:
Materialprüfungsanstalt
Strukturtyp:
Kapitel

Inhaltsverzeichnis

Inhalt

  • Mitteilungen des Instituts für Leichte Flächentragwerke (Il), Universität Stuttgart = Information of the Institute for Lightweight Structures (Il), University of Stuttgart / Universität Stuttgart
  • Zelte = Tents (IL16, 1976)
  • Einband
  • Inhaltsverzeichnis / Contents
  • Titelseite
  • Impressum
  • Einleitung
  • Vorwort
  • Preface
  • Mit Peter Stromeyer durch die Jahre 1953 - 1976
  • Peter Stromeyer - The tentmaker
  • Dächer in Montreal und München
  • Der Zelt Zirkus und das IL-Zelt
  • Postscript to an exhibition
  • The history of the air structures in the USA
  • Air structures in Japan
  • Tension structures in Japan
  • Aus meiner Zeltbaupraxis
  • Rückblicke
  • Textiles Bauen - Ein Lehrfach an technischen Hochschulen?
  • Firmenliste / List of companies
  • Werkverzeichnis von Peter Stromeyer / Table of works of Peter Stromeyer
  • Peter Stromeyer. Lebenslauf, Arbeitsgebiete, Entwicklungen und Erfindungen / Peter Stromeyer. Biography, spheres of work, developments and inventions
  • English translation of the german articles appearing on the pages 6-99
  • Through the years 1953 - 1976 with Peter Stromeyer
  • My short stories
  • Story No. 1: "The suspended roof"
  • Story No. 2: At Stromeyersdorf
  • Story No. 3: The circus tent
  • Story No. 4: The Swiss Pavilion 1952
  • Story No. 5: Experiments at Constance
  • Story No. 6: Hermann Mattern und Kassel 1955
  • Story No. 7: Aeroplane hangars for praying
  • Story No. 8: Small tents
  • Story No. 9: At a crossroad, social housing or tents ?
  • Story No. 10: The city of tomorrow
  • Story No. 11: The engineer and the tent
  • Story No. 12: The entrance arch
  • Story No. 13: Chemistry
  • Story No. 14: Charming and erotic tents
  • Story No. 15: "The seams open"
  • Story No. 16: The storm
  • Story No. 17: The humped tent at the INTERBAU is torn
  • Story No. 18: Research
  • Story No. 19: The membrane halls
  • Story No. 20: Air halls
  • Story No. 21: Changes
  • Story No. 22: The roof at Wunsiedel collapses
  • Story No. 23: The Japanese are coming
  • Story No. 24: Lausanne
  • Story No. 25: Cable-nets
  • Story No. 26: Rolf Gutbrod
  • Story No. 27: To Montreal for the World Exposition
  • Story No. 28: The Munich Olympic-roof
  • Story No. 29: Convertible from Killesberg to the Olympic roof in Montreal in 1976
  • Story No. 30: Mathematicians and geodesists, a new generation in tent building
  • The next to last story: The bankrupcy
  • The last story, for the time being: the tent for the Queen
  • Roofs at Montreal and Munich
  • The tent circus and the IL tent
  • In retrospect
  • My experience as a tent builder
  • In retrospect
  • Building with textiles - a subject at technical universities?
  • Register
  • Abbildungsverzeichnis / Picture index
  • IL Info 19
  • IL-Publikationen / IL-Publications
  • Korrekturen und Ergänzungen
  • Farbinformation

Volltext

Up to then, fewer than 1 % of the seams were in 
danger We did not know whether these were indivi- 
dual cases of negligence or whether it was a general 
condition. The intact seams proved themselves durable 
under the short-term tearing test: the fabric tore, the 
seams did not. | glued a thermometer underneath the 
white skin. At the end of May, 1957, | recorded an 
air temperature of approximately 30° C in the shade 
without any wind ~ and this in Berlin! Beneath the 
skin under full sunshine the temperature was 70°. 
Still more seams opened. For the first time the danger 
arose which many tent makers had to battle with in the 
course of the next 15 years: the creeping of glued and/ 
or welded seams under increased temperatures. 
Peter Stromeyer decided to reinforce the seams of our 
hall with strips from below as soon as a seam started 
moving. "Uhu" glues everything, and so it was in our 
sase too. Thanks to the Mero-grid of the roof structure 
repairs were possible. 
Right up to the end of the Interbau two men were 
occupied with gluing the seams. They climbed about 
on the roof like monkeys, while beneath them thousands 
of visitors critically admired the interesting but not 
quite so new exhibition "The City of Tomorrow". 
Lightening and waves could be seen. Next to it was 
"Energy of the Sky" or something similar. But there was 
also new furniture and several models of planned cities. 
! was afraid that because of the opening seams my 
career as a tent builder was finished. True, rain did not 
peneirate, but the patches were not very aesthetic. 
However, help came, as it so often does: industrial 
soot and dust from the building site covered the roof 
with a thick coating. It was still light enough inside. 
In July it did rain. The rain drove the dirt into streaks 
precisely along the lines of the steepest slopes. This 
looked as interesting as if an artist had done it. 
When the best-known architectural journal of the time, 
"L’ Architecture d’ Aujourd’ hui", published a thick 
booklet on the Interbau, this roof was its cover picture. 
Peter Stromeyer’s tents were (as always, only under my 
name) described in much more detail than any other 
structure of the then famous old masters who had erected 
the permanent housing units. 
This success helped to make our work internationally 
known in one stroke. But this was by no means so good. 
Design jobs for and in Berlin were no longer available, 
at least for myself. | have never understood why. 
i'd 
"276 
Story No. 16: THE STORM 
From May, 1957 on, we knew that our tents at the 
Interbau were in danger when the temperatures rose. 
Fortunately there is no wind at these temperatures. 
This showed itself to be the case on the unforgettable 
July 7, 1957. Theodor Heuss, then President of the 
Federal Republic of Germany, gave a remarkable speech 
at the inauguration of the Interbau which revealed the 
former building historian what he was. The Symphony 
Orchestra was playing in a tent, which we had deve~ 
loped for this special occasion (Bibliography: 2, p. 
74-75). Immediately after the ceremony we pulled it 
down. 
In the evening there was to have been a fireworks dis- 
play. Instead there was a thunderstorm that drove 
away the hot, high-pressure front with winds of 110 km 
per hour. It was the heaviest storm since the end of 
war. 
Ewald Bubner, Dieter Frank, Siegfried Lohs, and | 
were still in the area of the Interbau, near the humped 
tent of the cafe at the Bellevue castle, because a few 
nails still had to be driven. The storm raised dust, tore 
the leaves from the trees, and knocked over whole 
rows of them. We all thought : if the large hall flies 
away, it will come directly at us. We fought our way 
through the dark dirty air against the storm. Only the 
exhibition boards of the "City of Tomorrow" greeted us 
on our way. 
The tent roof "was standing”, as if it were immobile. 
Nothing had happened to it. However, not much had 
remained of the “City of Tomorrow" exhibit, Fosters 
and even the roofs of lighter pavilions covered the 
streets. | managed to hail a taxi. It drove over a thick 
sroken glass roof before | was able to check pavilion 
after pavilion. There was much damage in Berlin. 
Hundreds of frees were uprooted, a railway station 
collapsed, and people were killed. At the Interbau 
one tent-restaurant flew away. lf was the only tent 
structure that we had not assembled. Approximately 
12,000 m2 of canvas the roofs and walls of 15 Stro- 
neyer tents, and not one square meter was missing. 
During the night | called my friend at Constance and his 
comment was: "Fantastic, man 1". 
Photo right 
Water spout off the Jugoslavian coast, August 1976
	        

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