digibus Logo
  • First image
  • Previous image
  • Next image
  • Last image
  • Show double pages
Use the mouse to select the image area you want to share.
Please select which information should be copied to the clipboard by clicking on the link:
  • Link to the viewer page with highlighted frame
  • Link to IIIF image fragment

The waves

Access restriction

There is no access restriction for this record.

Copyright

Public Domain Mark 1.0. You can find more information here.

Bibliographic data

fullscreen: The waves

Collection Object

Persistent identifier:
1587378836253
Title:
The waves
Author:
Woolf, Virginia
Publisher:
The Hogarth Press
Place of publication:
London
Year of publication:
1963
Extent:
211 S.
Language:
english
Structure type:
Monograph
Physical location:
Bibliohtek der Institut für Linguistik und Literaturwissenschaft, Universität Stuttgart
Shelfmark:
VEN7--WOO2/29
License:
https://creativecommons.org/publicdomain/mark/1.0/deed.de

Collection Object

Title:
The Waves
Structure type:
Chapter

Contents

Table of contents

  • The waves
  • Cover
  • Title page
  • Imprint
  • The Waves
  • Cover

Full text

THE WAVES 
asked, ‘ Shall I free the fly ? Shall I let the fly be eaten?” 
So I am late always. My hair is unbrushed and these chips 
of wood stick in it. When I heard you cry I followed you, 
and saw you put down your handkerchief, screwed up, with 
its rage, with its hate, knotted in it. But soon that will 
cease. Our bodies are close now. You hear me breathe. 
You see the beetle too carrying off a leaf on its back. It 
runs this way, then that way, so that even your desire while 
you watch the beetle, to possess one single thing (it is Louis 
now) must waver, like the light in and out of the beech 
leaves ; and then words, moving darkly, in the depths of 
your mind will break up this knot of hardness, screwed in 
your pocket-handkerchief.” 
“1 love,” said Susan, “and I hate. I desire one thing 
only. My eyes are hard. Jinny’s eyes break into a thousand 
lights. Rhoda’s are like those pale flowers to which moths 
come in the evening. Yours grow full and brim and never 
break. But I am already set on my pursuit. I see insects in 
the grass. Though my mother still knits white socks for me 
and hems pinafores and I am a child, I love and 1 hate.” 
“ But when we sit together, close,” said Bernard, “ we 
melt into each other with phrases. We are edged with mist. 
We make an unsubstantial territory.” 
“1 see the beetle,” said Susan. It is black, I see; it 
is green, I see; I am tied down with single words. But 
you wander off ; you slip away; you rise up higher, with 
words and words in phrases.” 
“Now,” said Bernard, “let us explore. There is the 
white house lying among the trees. It lies down there ever 
so far beneath us. We shall sink like swimmers just touching 
the ground with the tips of their toes. We shall sink 
through the green air of the leaves, Susan. We sink as we 
run. The waves close over us, the beech leaves meet above 
our heads. There is the stable clock with its gilt hands 
shining. Those are the flats and heights of the roofs of the 
great house. There is the stable-boy clattering in the yard 
in rubber boots. ‘That is Elvedon. 
17
	        

Downloads

Downloads

Full record

ALTO TEI Full text PDF
TOC
Mirador

This page

PDF Image Preview Image Small ALTO TEI Full text Mirador

Image fragment

Link to the viewer page with highlighted frame Link to IIIF image fragment

Formats and links

Formats and links

The metadata is available in various formats. There are also links to external systems.

Formats

METS MARC XML Dublin Core

Links

DFG-Viewer Mirador

Cite

Cite

The following citation links are available for the entire work or the displayed page:

Full record

RIS

This page

Citation recommendation

Please check the citation before using it.

Image manipulation tools

Tools not available

Share image region

Use the mouse to select the image area you want to share.
Please select which information should be copied to the clipboard by clicking on the link:
  • Link to the viewer page with highlighted frame
  • Link to IIIF image fragment

Contact

Have you found an error? Do you have any suggestions for making our service even better or any other questions about this page? Please write to us and we'll make sure we get back to you.

How much is one plus two?:

I hereby confirm the use of my personal data within the context of the enquiry made.